I attended four Zoom funerals during the home online together, heartfelt eulogies glitching, poems, and video montages jittery with spotty reception. During one, on my laptop screen, a burial was being broadcast graveside. I watched a few masked loved ones shoveling dirt atop the grave, the subtle dig of metal against the earth, and a muffling past the mic. Then suddenly, my screen was filled with an elderly couple in their kitchen discussing strawberries. an appointment; a phone call had to be returned. Mics accidentally unmuted switched the viewers from gravesites to kitchens and across the country.. Each was populated by squares of pixelated faces grieving from
Those of us who had tuned in for the Funeral overheard mundanities meant for no one juxtaposed with a burial meant for everyone, which only a few could attend inbecause of the pandemic. We saw up-close, grief-stricken faces muttering private sorrows into the screen. Given travel restrictions, we did our best to come together virtually during the ceremony. Yet, why did everything about these pandemic-style funerals feel so wrong? What do we do now with all the grief that never had its fair chance to be shared in person?
“Zoom” was a live-action TV show I watched in the 1970s and ’80s. Inspired by shows like “The Electric Company” and “Sesame Street,” “Zoom” was a high-energy show created and performed by kids. The show played fast and furious across the screen ― zooming. The word “zoom” flies from the mouth astogether with the buzz of the Z. Death whisks a life away is gone. There is something inherently zippy and frenetic about the word zoom. The term “funeral” is slow and languorous, heavy on the downbeat of the long U. Funerals are a pause in the frenzy. These two words repel each other. They do not belong together—Zoom + Funeral. And yet, in all my grief, I clicked to join.
Now it’s a given ― that whispering voice reminding us this is not how it’s supposed to be. And yet, some things seem easier to accept: hand sanitizer everywhere, taped arrows directing traffic onfloors, mannequins sporting masks. We’ve learned to stand back. Give space. These new rhythms creep into our habits as we cross the street to avoid each other — the sidewalk is no longer suitable for two. We find ourselves adjusting. While our children are appalled at old TV shows where passengers smoke cigarettes on airplanes, we now cringe at scenes of crowds hustling through packed , bumping mindlessly into one another, carelessly shaking bare hands. How reckless! A mix of horror and nostalgia floods us. How could they? We wonder how we’ve been catapulted so quickly and far from what once seemed normal.
Some of these new habits seem like improvements: Why haven’t we always called ahead from the parking lot of doctors’ offices? Why would we again blow out candles on a cake meant to share? But the Zoom funeral is one thing I hope never settles into a permanent ritual. I’ve been accustomed to funerals extending beyond an hour-long ceremony in my culturally mixed upbringing. On my Jewish side, after the burial, we sit shiva for a weeklong gathering ― a coming together with food and loved ones to mourn day after day. On my Greek Orthodox side, we follow a multipart ritual that includes an evening wake and, after the Funeral, a festive Greek luncheon. We continue memorial services the following Sunday, 40 days later, and yet again a.
Part of the comfort in these traditions is knowing we will continue coming together. None end withhas been terminated by the host. I logged on 15 minutes early to the Funeral of my dear friend. It was a private gathering of her in a beautiful outdoor garden halfway across the country. I sat on my bed, alone, surrounded by a scatter of photographs I’d collected of her and me together over the past 32 years. I waited for the host to start the meeting. When the camera turned on, it faced a table before a flower fence. And then I heard voices. The service had not yet begun, but the host had forgotten to mute the call. My heart picked up its pace, relieved at having unexpectedly been transported there.
I shut my eyes, privy to the small talk, grateful for the technical error. I recognized my friend’s family members’ voices. I was there, standing beside them amongst the chatter, invisible, yet there. I imagined my friend witnessing the same, hovering unseen, surrounded by their voices, as close as she could ever come. Then, suddenly, midsentence, everything went silent. The host discovered the error. Alone again in my bed, I reached for my photos. My heart constricted, and I logged out of Zoom and back in, hoping to find the loophole, trying to get back to the sound, but as more and more people around the country, everything remained muted. Then, the service began.
After a couple of months, I started reading through a stack of books on loss, trying to understand why I wasn’t marching efficiently through Elisabeth Kübler-Ross’ delineated five stages of grief. That is when I came across Chapter 2 in David Kessler’s book “Finding Meaning: The Sixth Stage of Grief.” When I scanned the table of contents and read the chapter title, I shouted, “Yes, that’s it!” in my kitchen: “Chapter Two: Grief Must Be Witnessed.” My heart fluttered with that urgency you get when you land on a sudden truth. Hallelujah! I quickly opened the page. Kessler describes our intrinsic need, beginning when we are infants, for our emotional states to be acknowledged. He describes an experiment conducted with mothers and infants. When one mother responds to her infant with a blank stare rather than mirroring the infant’s expression, the baby begins to scream in agony.
The ultimate terror. We carry it with us—these humansto see one another. “The reality is that we heal as a tribe,” Kessler writes. On a 45-minute Zoom meeting, through the computer screen, we are not healing as a tribe. We are not bearing witness. We are not truly coming together. It is not a sufficient substitute. If others, like myself, in grief, perhaps we can attribute it to this innate need being shortchanged. My husband’s friend also died young, and after his Zoom funeral, the stories of him in a beautiful attempt at creating an intimate space through the computer. Each person who , their face taking up the screen while the others disappeared. One person’s mic stopped working, cutting them off mid-story, and . Stories were spoken, but it was unclear whether they’d been received.
A family member freezes mid-cry. We try to look away. We try to reach out and touch. We try to wipe tears. At the Zoom funeral, we still have our strawberries, our appointments to discuss, and our calls to be made. Our lives surround us, mistakenly aired. These recurring bloopersbecause they shriek at our separation. Kessler also writes about a researcher . A villager told him that when someone dies, the community members and onto their lawns, so when the grieving family wakes up, they see that nothing looks the same. A visual representation, an offering, acknowledging yes, the . I cannot imagine a more profound offering in grief, this physical acknowledgment that might keep us from screaming in distress when the Zoom call ends.
We need to come together in grief. We need to feel the hands of others connected to this person on each other’s shoulders. We need to stand close, share stories, and wipe tears in real time and space, not through a pixelated screen where the connection might drop at any moment. I want to redo all the Zoom funerals when we get through this pandemic. I want us all to get together in person and hug one another forwe could not do so. But I fear that our culture of grieving will not approve of it. It will not want all our pain and sadness to persist, so it will have tracked our grief on the calendar and tell us our allotted time has passed. It will say, “It’s been a year, two years, five years; you have moved on and healed.” It will say, “At least you had Zoom; at least you could connect that way; you had a lifelong friendship. Some people never do.”
When we get together again, it will be for a birthday, a wedding, or a graduation celebration; it will be joyous and full ofbecause this is good, and we feel comfortable. We will no longer mourn what has already been screen-shared. We have left the meeting. This . The ghosts have gone. The spirits ascended. We have moved on. We have found closure. We’ve clicked the solid red rectangle on the bottom of the screen. Shut the laptop. The host has ended this meeting. We are weighed down by accumulated grief. When the pandemic ends, if we cannot redo all the Zoom funerals, I will turn my house inside out, haul all of my furniture onto our street, and leave it there.
I will sit on the bare floor in an empty house and watch the passersby pause. I will see them wonder if it is their imagination or if the world has turned inside out like they had suspected because they, too, have lost someone thisand did not come together to mourn. And they’ll nod at the display, at the chaotic arrangement of bed and chair and table mismatched on the grass, validating each item as they do. And maybe someone will stop and sit down to rest on one of the chairs, take a moment in comfort, relieved at the mere sight of it. And then I will step outside, and someone else will stop and perhaps lie down on the bed, and another, and then another. And then, in a house turned inside out, in a world trying to regain shape, we will cry, laugh, and remember and share in all the beautiful lives we loved and lost.
Melanie Faranello is a writer from Chicago living in Connecticut. She is the founder of Poetry on the Streets, LLC. A Pushcart Prize nominee, a CT Individual Artist Fellowship Award recipient, and a Creative Community Fellow with National Arts Strategies, her writing hasand been shortlisted for various awards. Read more of her work online at www.melaniefaranello.com. Do you have a compelling you’d like to see published on HuffPost? Find out what we’re looking for here, and send us a pitch.